Sacramento – A Road Trip of Reflection, Not Destination

Directed by and starring Michael Angarano, Sacramento is a slow-burning dramedy that favors quiet introspection. It follows Glenn (Michael Cera), a soft-spoken, soon-to-be father who is pulled into a last-minute road trip to Sacramento by his estranged friend Ricky (Angarano) following the death of Ricky’s father. While the film briefly touches on friendship, fatherhood, and identity, it never dives deeply into any of the themes.

At its core, Sacramento is about two men navigating the space between who they used to be and who they are becoming. The natural chemistry between Cera and Angarano shines in the film, adding quiet emotional weight. There’s a clear commitment to the roles and a strong dynamic between the long-time friends. 

Cera takes a mature step forward here, portraying a character on the cusp of fatherhood for the first time. Notably, Angarano also co-wrote the script, adding another layer of authenticity to his performance. However, Kristen Stewart, playing Cera’s pregnant wife Rosie, is unfortunately underused—despite her star power, she’s used briefly in a few scenes.

Cinematography and production design are also disappointing. Despite being marketed as a road-trip comedy, the journey feels visually underwhelming. California, and even Sacramento itself, is given minimal screen presence, though what little we do see highlights the state’s cultural warmth. While the cast’s chemistry is undeniable and the soundtrack carries much of the film’s emotional rhythm, the storyline feels undeveloped. The film’s slow pace makes it drag without building to a satisfying climax.

Final Verdict: Is it worth watching?

Sacramento won’t be for everyone. It’s best suited for those who enjoy introspective character studies and don’t mind a lack of urgency. The lack of a strong storyline and underwhelming visuals may leave others wanting more. Ultimately, Sacramento feels more at home on a streaming platform—ideal for a quiet, contemplative movie night.