Review Saga #6, a hymn to the difference
By Brian K. Vaughan and Fiona Staples.

Image
Comics renews the appointment for the long-awaited sixth volume of Saga, which will be released on July 29 in the United
States - while in Italian comics stores will arrive on July 21 for
BAO Publishing.
It all started in March four years ago, with the exceptional debut of the comics created by Brian K. Vaughan and Fiona Staples, which has been able to keep the expectations of millions of readers going.
The plot of the award-winning comic book features Alana, Landfall's army infantryman in charge of guarding a prison camp, and Marko, the captive soldier. She comes from the technological planet Landfall, he from the magical kingdom of the satellite Wreath: they belong to two worlds that have always been at war, but they fall in love and give birth to Hazel.
Hazel,
the wings on her back inherited from her mother and her father's ram
horns, is a hybrid creature that represents the worst threat to the
established order.
At this point, Alana and Marko are forced to
flee their homelands to new possible worlds.
In Saga #6 we meet
Hazel facing a new phase of his life, the kindergarten. The girl is
in the detention center of Landfall, along with her paternal
grandmother Klara and "aunt" Lexis. Meanwhile, her parents
are on her trail.
The
twists will be accompanied by the return of characters already known
and two curious, new creatures born from the genius of Fiona Staples:
the Wreathian transgender Petrichor and Ms Noreen, the adorable
teacher of Hazel.
In the narrative, Hazel's point of view returns,
commenting retrospectively on events: his wisdom resonates like an
echo, humorous and at times melancholic, capable of anchoring the
sci-fi epic to the mythological dimension.
Through
the events of a different family, the space opera of Vaughan and
Staples questions the great universal themes along the subversive
values fought by dystopian societies: love, in its synonyms and
derivatives, which reveals itself to be the most powerful instrument
of social rebellion.
Brian K. Vaughan's screenplay emphasises the
importance of and respect for diversity.
The invitation not to
suffer homologation is given to a disarming Hazel: "Because
death is fucking predictable... but life has science experiments and
free time and surprise naps and who knows what comes next?".
Even
Saga #6 ends with a cliffhanger of absolute dramaturgical
impact.
Since the beginning of the series, Fiona Staples has
surprised us with changes of registers that determine the amazing
futuristic scenarios populated by alien natures, even strangely, but
unique and unrepeatable.
In this new volume of six stories,
the beauty of the illustrated scenarios returns, every detail
sublimates the context.
© All rights reserved
You Might Be Interested

Matthew McConaughey stars in the heart-pounding The Lost Bus: a film review
The true story of one of California’s deadliest wildfire rescues is brought to life in this suspenseful thriller.

Costa da Morte: A Strong Start for The Walking Dead’s Next Chapter

Downton Abbey: The Grand Finale: A review of the heralded saga’s climax.

Venice Film Festival: review of the film Scarlet
Directed by Mamoru Hosoda

Venice Film Festival, review of the movie In the hand of Dante
.jpg)
Venice Film Festival 2025: Review movie Newport & the Great Folk Dream
Discover "Newport & the Great Folk Dream," the out-of-competition film at the Venice Film Festival

Venice Film Festival 2025: Review of tv series The Monster of Florence
Discover The Monster of Florence the TV series screening out of competition at the Venice Film Festival

Venice Film Festival: Review of The Testament of Ann Lee
Amanda Seyfried, Bold and Intense