The Rule of Jenny Pen movie review, a claustrophobic descent into psychological horror

James Ashcroft’s The Rule of Jenny Pen (2024) is a chilling exploration of power, vulnerability, and psychological manipulation. The New Zealand film directed by James Ashcroft brings Owen Marshall’s short story to life. Stefan Mortensen (Geoffrey Rush), a once-powerful judge is forced into the Royal Pine Mews Care Home after suffering a stroke. What should be a temporary stay turns nightmarish due to Dave Crealy (John Lithgow), a long-term patient who exerts control through mind games and his disturbing puppet, Jenny Pen. With the home’s indifferent staff ignoring his pleas, Stefan and his roommate Tony (George Henare) must confront their deepest fears.

The care home feels more like a decaying purgatory than a place of rehabilitation. Dimly lit corridors, muted color palettes, and tight close-ups heighten Stefan’s inescapable dread. Lingering shots amplify discomfort, while flickering lights and shadows make Jenny Pen’s presence even more menacing.

Powerful Performances That Elevate the Story

Geoffrey Rush masterfully portrays Stefan’s descent into fear, using subtle tremors and labored movements to enhance his character’s vulnerability. John Lithgow’s Crealy is eerily unpredictable, balancing twisted charm with menace. George Henare’s Tony offers warmth in contrast to the film’s bleak tone. The supporting cast effectively adds to the oppressive atmosphere.

The film often struggles with uneven pacing. The film’s slow-burn approach is effective in the first half but loses momentum as it progresses. Crealy is unsettling, but his vague motivations weaken his impact. Some horror elements also lean on overused genre tropes, such as dream sequences and unreliable perceptions.

Should You Watch It? 

The Rule of Jenny Pen thrives on psychological dread rather than jump scares. While it’s flawed, its performances and eerie atmosphere make it a compelling watch. Horror fans who appreciate slow-burn tension will find it worthwhile, but those seeking a tightly plotted thriller may be left wanting more.

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